The New Indelible Grace CD project is underway

So we started work on a new CD and are close to finishing the recording stage! This is not going to be Indelible Grace VI - that will most likely be recorded in the summer of 2010. Instead this will be the beginning of a new series of more stripped down Indelible Grace projects. It seems that every time we do a CD we have a whole bunch of good songs left over. For instance we probably considered nearly 50 retuned hymns for our Wake Thy Slumbering Children CD. Now some of those 50 will probably never see the light of day. But there are lots of tunes that we want the church to have access to, but we don’t have time or money to do a full production for all of them. So… for this new series we chose 10 retuned hymns that we think are great, but which will work well in a more stripped down style. If all goes well we will release these stripped down acoustic projects from time to time.

I’ve been recording at Cason Cooley’s and Jeff Pardo’s studios over in East Nashville and I think things are sounding great. Some of the longtime IG artists will be on this one including Matthew Smith, Sandra McCracken, Matthew Jones, Emily Deloach, and Jeremy Casella. But there will be some from more recent IG artists like Jason Feller and Chelsey Scott, and a couple new artists too including Justin Smith. Justin wrote 2 of the tunes on the Wake CD (including Abide With Me) and he wrote 3 on this new project. Matthew Smith wrote 1 and there is one by me (Kevin Twit). I have posted some pictures from the recording sessions over at our facebook fan page. (www.facebook.com/indeliblegrace)

We should be able to get the project mixed in mid August and so it should be available this Fall.

A New Project - IG Unplugged

So I am getting ready to start a new little project for this summer. Every time we do one of our CDs I always end up with some extra songs that I think really should be shared with the church at large. The problem is, I don’t have the time or money to produce them all as fully we do on the Indelible Grace Cds. So, this summer, I am going to record 10 of these songs in a simple, stripped down way. Basically they will be acoustic guitar, vocals, and one or two more elements at most. I am close to settling on 10 tunes that I think will shine in this kind of setting. Look for this project by the end of the summer. I begin recording on Wednesday of this week. And if you think of it, keep us in your prayers as we work on this.

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Paying Tribute To Another Artist Honored at the AMAs

There was another artist/group honored at the Americana Music Awards the other night that I had the honor of crossing paths with, Jason and The Scorchers. They received the Lifetime Achievement Award for Performance - a well deserved honor. These guys were the original country-punk band and I worked with them on their “Thunder and Rain” CD back in the late 80s at Digital Recorders. We tracked the album there and did all the overdubs as well. A number of things are memorable about the experience of working with these guys.

1. This is where I really learned that rock and roll is not for the faint-hearted. Warner Hodges, the main guitarist of the group, used really heavy strings, .013 for his first string and would keep a little tube of super-glue on his pedal board. Whenever he would slice his finger bending strings - which happened pretty regularly - he would take the super glue and squeeze it right into the cut and squeeze his skin together until the glue had fused his skin together again. And then he would go right on playing. Wow. Warner made the comment at one point that “I always figured I would be dead by 30 so anything after that is just a freebie.” (He actually did have a heart-attack at 29.) These guys were the real deal hard living rock and rollers.

2. These guys played louder than any band I had seen before or since. For instance, they brought in their live sound engineer to mix their headphones for them using a monitoring console and connecting each headphone mix to a poweramp and hooking the headphones directly to the output of the amp where the speakers should be connected! There was so much power going through the headphones that they were physical hot to the touch. We had to change headphones out after every take because they would be burning the guys ears! And if the cord going from Warner’s guitar to his Hiwatt amps crossed his headphone cord then shrieking feedback would result because the electricity was actually going on the outside of the headphone cords. And then to top this off, the drummer (Perry) strapped his belt around his headphones to squeeze them tight to his ears so that he could hear the click over their playing. I knew that there was a point at which you could play so loud that pitch is imperceptible to the human ear - and we achieved this on this project when Warner was overdubbing gtr solos.

3. I learned a lot about groove on this project from Barry Beckett the producer. Barry was the Muscle Shoals piano player and had produced some classic albums including Dylan’s “Saved”. He was awesome and had a great way of helping them understand when the song was really in the pocket - he said it had to make you want to do this kind of strut. He also had the engineer cut a sliver out of the 2-inch master tape to move up a snare hit on the final take of one of the tunes. This is how you had to do it before pro-tools.

4. I learned a lot about getting great rock guitar sounds from the engineer Justin Niebank too. he was great. I was so impressed with him that later I recommended him to David Mullen and he co-produced our 2nd cd “Faded Blues.”

5. But the thing the Scorchers did best was play live. I saw them play soon after the recording at the Cannery Ballroom - and I have never heard a louder band, nor seen a band with as much live energy as the Scorchers in their day. Warner Hodges is quite the showman on guitar - especially his patented spin-around move doing 15-20 pirouettes holding the guitar out at arms length and playing the whole time. It was great to see at the AMAs that he’s still got all his moves.

If you want to hear the Scorchers rock out, check out “Six Feet Underground” on their Thunder and Rain album.

Paying Honor To One Of My Heroes - John Hiatt

So, Wendy and I were able to attend the Americana Music Awards last night at the Ryman here in Nashville. It was a great night of hearing all kinds of great artists, but the highlight for me was being part of the crowd paying homage to John Hiatt as we was given a “Lifetime Achievement Award” for songwriting. Hiatt has always been one of favorites ever since I crossed paths with him in the late 80s while working at a recording studio in Nashville. (Digital Recorders, for those who care.) Hiatt was basking in the acclaim of his amazing record “Bring The Family” - you must buy this record if you want to be my friend - and was scoring the soundtrack for a new tv show based loosely on The Breakfast Club. His great song (which he sang at the show last night) “Have A Little Faith In Me” was to be the title track. He had his new band, the Goners, featuring Sonny Landreth on slide guitar, with him and he was kind of trying them out in anticipation of recording the record that would come to be known as “Slow Turning.” I look back now, and realize how privileged I was to be around guys like Hiatt. He thanked his mom last night for instilling in him “his work ethic” and even then I was impressed by the seriousness with which he took this thing called “pop music.” I picked up other little things too - my way of playing little runs incorporating open strings on the acoustic gtr (see our recording of And Can It Be for an example) I learned from watch him noodling on the acoustic gtr sitting in the back of the control room.

Hiatt has a great gift in being able to write about real brokenness and the way God’s common grace can show up in the most unexpected places. (Your Dad Did from Bring the Family is one of my favorite examples.) He has written some of the saddest songs I ever heard (Icy Blue Heart from Slow Turning, Tip Of My Tongue from Bring The Family are 2 that come to mind.)

And it was introduction to Sonny Landreth - one of my absolute guitar heroes and a guy I try to see whenever he plays in town. In fact, he is playing here in a couple weeks and I am trying to get everyone I know to come see him with me.

Soon after we finished the sessions for the tv show pilot - which unfortunately saw the light of day because of a writers strike in Hollywood - Hiatt booked our studio to track Slow Turning with the legendary Glyn Johns. They tracked for a day but hated the big studio monitors we had (Urei’s for those who care) and decided to move over to Ronnie Milsaps studio instead. What a disappointment! But, as sort of a consolation prize, Sonny rented my guitar amps (a pair of Seymour Duncan 100w convertibles if anyone remembers those) and so my guitar amps are all over Slow Turning - on of my favorite records of all time.

My picks for best Hiatt records are:

Bring The Family
Slow Turning
Perfectly Good Guitar
Walk On
Crossing Muddy Waters

My favorite Sonny Landreth records are his 1st 2 major label releases, “South of I-10″ and “Outward Bound” but you have to see him live to really appreciate what he is doing. (Actually even seeing him live you will scratch your head trying to figure out how he is getting those sounds out of his slide guitar.)

Unbelievable!

So I am a bit ticked. Those of you who know me will understand I think. A friend of mine told me yesterday that he was in McKay’s used bookstore here in Nashville a couple of months ago and bought one of my books! Not one I wrote you understand, I haven’t written one (though I have ben working on it this summer, but that’s another story.) No, this guy had found my copy of one of my favorite books, “Border Crossings” by Rodney Clapp. And it had my embossed little seal in it (the stamper was a gift from a student years ago.) And… it was my copy with all of my highlights and markings in the margins! He bought it for $0.75. That means someone borrowed my precious book and then sold it to a used bookstore!!!! And what’s really killing me is that I can’t remember who I loaned it to. I am kicking myself because my policy is to never loan out my highlighted books because I can re-buy a book that gets lost, but it is hard to replace the time it took to work through it and mark it up. I guess I violated my policy and got burned. I think I need to go down to McKay’s and see if they have any more of my books for sale.

Together For Adoption

I wanted to let you all know about a cool organization seeking to connect the dots between our adoption as God’s children and the great need for people to adopt orphans in our world today. They are Together For Adoption and you can learn more about them here Note that they are sponsoring a regional conference coming up in South Carolina. Wendy and I attended a similar conference in Nashville that was invaluable to us in our journey to adoption.

As many of you know, we adopted a little girl from China a couple years ago, so this is a cause close to our heart. (You can see our Amelia here)

I also am a big fan of the importance of the doctrine of adoption. I did a lecture last year on the topic which you can hear on my podcast (search itunes podcasts for RUF at Belmont).

Some of my favorite resources for the doctrine of adoption are J.I. Packer’s chapter “The Sons Of God” in his classic book “Knowing God” and a tape I ordered from Westminster Media years ago by Sinclair Ferguson called “The Reformed Doctrine Of Adoption.” (I would love to see someone transcribe that tape!)

A New Bluesy Version Of Arise My Soul Arise

We tried out a bluesy version of Arise My Soul Arise last night at City Church Note that the 7th in the melody of the 1st and 2 lines of each verse are now flatted - b7 instead of major 7 in other words. You can hear it here

Love to get your feedback - I already have heard from some who loved it and some who hated it.

My Podcast

For those who are interested, I have a podcast of my sermons that can be found by searching the itunes music store for “RUF at Belmont” or you can subscribe automatically here Kevin Twit - RUF at Belmont - RUF at Belmont

Anne Steele hymn for Easter

Here is a great Anne Steele text about the life and death of Christ - a great text for meditation I think. Some of you will notice that I took a couple of these verses to make the hymn “O Love Incomprehensible” for our “Pilgrim Days” CD. But I thought you would all enjoy the full text:

Anne Steele HYMN IV. “Redeeming Love”

1. Come heavenly love, inspire my song With thy immortal flame,
And teach my heart, and teach my tongue The Savior’s lovely name.

2. The Savior! 0 what endless charms Dwell in the blissful sound!
Its influence every fear disarms, And spreads sweet comfort round.

3. Here pardon, life, and joys divine In rich effusion flow,
For guilty rebels lost in sin, And doomed to endless woe.

4. In our first parent’s crime we fell; Our blood, our vital breath,
Deep tinged with all the seeds of ill, Sad heirs to sin and death.

5. Black o’er our wrath-devoted heads Avenging justice frowned
While hell disclosed her deepest shades And horrors rose around.

6. Wrapt in the gloom of dark despair, We helpless, hopeless lay:
But sovereign mercy reached us there, And smiled despair away.

7. God’s only son, (stupendous grace!) Forsook his throne above;
And swift to save our wretched race, He flew on wings of love.

8. Th’ Almighty former of the skies Stooped to our vile abode;
While angels viewed with wondering eyes, And hailed the incarnate God.

9. The God in heavenly strains they sung, Arrayed in human clay:
Mysterious love ! what angel tongue Thy wonders can display?

10. Mysterious love, in every scene, Through all his life appears:
His spotless life exposed to pain, And miseries and tears.

11. What blessings on a thankless race? His bounteous hand bestowed!
And from his tongue what wondrous grace, What rich instruction flowed!

12. The dumb, the deaf, the lame, the blind Confessed his healing power;
Disease and death their prey resigned, And grief complained no more.

13. Infernal legions trembling fled, Awed by his powerful word;
And winds and seas his voice obeyed, And owned their sovereign Lord.

14. But man, vile man, his love abused Blind to the noblest good
Blasphemed his power, his word refused, And sought his sacred blood.

15. Still his unwearied love pursued Salvation’s glorious plan;
And firm the approaching horrors viewed Deserved by guilty man.

16. What pain, what soul-oppressing pain, The great Redeemer bore;
While bloody sweat, like drops of rain, Distilled from every pore!

17. And ere the dreadful storm descends Full on his guiltless head,
See him by his familiar friends Deserted and betrayed!

18. While ruffian bands the Lord surround, Relentless, murderous foes;
Meek, as a lamb for slaughter bound, The patient sufferer goes

19. Arraigned at Pilate’s impious bar, (Unparralled disgrace!)
See spotless innocence appear In guilt’s detested place!

20. When perjury fails to stain his name, The mob’s envenomed breath
Extorts his sentence, “Public shame And painful lingering death.”

21. Patient, the cruel scourge he bore; The innocent, the kind!
Then to the rabble’s lawless power And rudest taunts consigned

22. With thorns they crown that awful brow, Whose frown can shake the globe;
And on their king in scorn bestow The reed and purple robe.

23. Ah! see the fatal cross appears, Heart-wounding, dreadful scene
His sacred flesh rude iron tears, With agonizing pain.

24. Exposed with thieves, to public view Could nature bear the sight?
The blushing sun his beams withdrew, And wrapped the globe in night!

25. Then, Oh! what loads of wrath unknown The glorious sufferer felt;
For crimes unnumbered to atone, To expiate mortal guilt!

26. The Father’s blissful smile withdrawn, In that tremendous hour;
Yet still the God sustained the man With his almighty power,

27. ‘Tis finished,’ now aloud he cries, ‘No more the law requires’
And now, (amazing sacrifice!) The Lord of life expires.

28. Earth’s firm foundation felt the shock, With universal dread;
Trembled the mountain, rent the rock, And waked the sleeping dead!

29. Now breathless in the silent tomb, His sacred body lies:
Thither his loved disciples come, With sorrow-streaming eyes.

30. But see the promised morn appear Their joy revives again;
The Savior lives; adieu to fear, To every anxious pain.

31. His kindest words their doubts remove, Confirm their wavering faith;
He bids them teach the world his love, Salvation by his death.

32. Triumphant he ascends on high, The glorious work complete
Sin, death, and hell, low vanquished lie Beneath his awful feet.

33. There, with eternal glory crowned, The Lord, the conqueror, reigns;
His praise the heavenly choirs resound In their immortal strains.

34. Amid the splendors of his throne, Unchanging love appears;
The names he purchased for his own, Still on his heart he bears

35. Still with prevailing power he pleads Their cause for whom he died;
His Spirit’s sacred influence sheds, Their comforter and guide.

36. For them, reserves a radiant crown, Bought with his dying blood;
And worlds of light, and joys unknown, For ever near their God.

37. 0 the rich depths of love divine! Of bliss, a boundless store:
Dear Savior, let me call thee mine; I cannot wish for more.

38. I yield to thy dear conquering arms, I yield my captive soul:
0 let thy all-subduing charms My inmost powers control!

39. On thee alone my hope relies: Beneath thy cross I fall,
My Lord, my life, my sacrifice, My Savior and my all